SPARC’s DML was honored to have University of Utah Associate Professor Kim Martinez as its Artist in Residence September 28th to November 14th of 2008.Kim occupies a myriad of public roles: human rights activist, community volunteer, engaging teacher and socially responsible visual artist. She is an active artist, muralist, and Associate Professor at the University of Utah. She is the recipient of the 2003 Salt Lake City Mayors Visual Artist Award, recognizing her community involvement and contribution to the Utah Department of Corrections, Veterans Administration, Utah Hispanic Women’s Association, First Step House and Art Access/Art Positive! In 2006 she received the University of Utah, College of Fine Arts, Faculty Excellence Award in Teaching, Research, and Service. She has received fellowships from The Sara Lee Foundation, Ragsdale, Vermont Studio Center, The Bemis Center for Contemporary Art, and a National Endowment For The Arts-Utah Arts Council.
CESAR E. CHAVEZ MONUMENT
The Arch of Dignity, Equality, and Justice
By Judith F. Baca
“It is not Cesar’s personality that is to be remembered,
but his ideals and beliefs”
A Pathway Towards Change
Cesar Chavez’s greatest achievement was his life itself, in which his
deepest beliefs were carried out daily through his actions to improve
the conditions of the campesino. This inspired hundreds and thousands
of people to join his efforts to achieve social justice, and created
actual change where many believed it impossible. This monument serves
as a sacred reminder to subsequent generations of the importance of
living a life at the center of one’s values and beliefs, as did Cesar
Chavez.
The Arch and Eagle
Modeled on a Mayan corbelled arch combined with mission colonial
arches, this site pays tribute to Chavez’s respective Spanish and
indigenous roots while referencing the conquest. The plaza is treated
with colors derived from the Pre-Hispanic Codices, while the arch is
finished with a pearlescent white to create a sensibility of reflective
light within the architecture. Reflective light is also an important
aspect of the United Farm Workers (UFW) eagle on the face of the
monument. Originally designed by Richard Chavez for the UFW’s flag as a
symbol to unite the people, the stacked glass eagle is composed of a
reversed pyramid and provides the central element of the “triumphant
arch.” The arch faces east to west receiving the daily movement of the
sun through the passageway representing a rite of passage from worker
to activist.
The Mosaic Pathway
Around the arch is a circular mosaic path representing the many
pilgrimages taken by thousands of people during the marches. Four
granite stones replicate this circle with important quotes from Chavez
beginning with hope –“Soon the grapes will be sweet once again,” to
education and then action –“There is no such thing as defeat in
non-violence.”
The Images
In the interior of the arch, the central mural depicts a contemplative
Chavez as a farm worker leader and organizer looking over the
California fields where the historic grape strike took place, with the
farm workers represented metaphorically as twisted vines. Above in a
cloud, Chavez is joined by Robert F. Kennedy as he breaks a 25-day fast
accompanied by his wife Helen and his mother Juana. The image
highlights fasting as a cornerstone to his philosophy of non-violence.
La Virgen de Guadalupe, the indigenous patron saint of Mexico and the
revered symbol of the farm workers, blesses the struggle with roses.
Lurking in the sky, a calaca (skeleton) represents the ever present
need for vigilance, to ensure decent conditions for the workers and
reminds us that the struggle is not over in the fields.
In keeping with his humility, the exterior of the arch depicts not
Chavez, but two campesinos bent over in the fields of California. One
of Chavez’s most important achievements was the abolishment of the
short hoe, which was responsible for many injuries to workers. The hoe
is featured in gold to commemorate this fact.
The opposite side of the arch includes two important personages to the
movement: Dolores Huerta, co-founder of the United Farm Workers and
Chavez’s partner in the movement’s endeavors, with one hand evoking her
powers to persuade growers to amend the unjust treatment of the farm
workers, and with the other hand representing the power of non-violent
actions through marches and boycotts. Mahatma Gandhi is also depicted
in the fields to honor him as Chavez’s inspiration for the real
possibility of social change through non-violence and spiritual
practice.
Around the monument, Venetian tile patterns represent the pilgrimage as
a major movement strategy for the field workers, as well as the many
marches taken by the UFW interwoven with grape vines.
It is my hope that this arch will offer an introspective and meditative
space for viewers to receive its message. May all those passing through
it experience the passage from hope and inspiration, to education, and
finally, to action for social and environmental justice.
The Public Art Network is pleased to recognize Judy Baca, founder and artistic director of SPARC: Social & Public Art Resource Center, as the recipient of the 2010 Public Art Network Award. After accepting her award, Ms. Baca will also make a keynote presentation.
Building a Vibrant Future for the Arts!
Judy Baca is a native Angeleno, a visual artist, arts activist, community leader, and educator. Baca is best known for her large-scale public organizing murals. Her art involves extensive community dialogues and participation. Baca founded the first City of Los Angeles mural program in 1974. In 1976, she founded the Social and Public Art Resource Center (SPARC) in Venice, CA. SPARC is a socially relevant, activist minded and spirited organization, and at the heart of what it believes is that art is a tool for social change and self-transformation. Baca’s true signature piece is The Great Wall of Los Angeles.
As a site of public memory, the Great Wall is one of Los Angeles’ true cultural landmarks and one of the country’s most respected and largest monuments to interracial harmony produced with the participation with more than 400 inner-city youth, 40 ethnic historians, and hundred of community residents.
Baca and SPARC continue to work on The World Wall: A Vision of The Future Without Fear, which consists of 8 10 ft. x 30 ft. portable mural panels on canvas. This 240 ft. mural addresses contemporary issues of global importance: war, peace, cooperation, interdependence, and spiritual growth. As The World Wall tours the world, eight additional panels by artists from eight countries are added to complete this visual tribute to the “Global Village-An Arena for Dialogue.” To date, Finland, Russia, Palestine/Israel, and Mexico panels have been added; Canada is currently being worked on.
To advance the field of muralism, in 1996 Baca created the UCLA/SPARC Cesar Chavez Digital/Mural Lab, a research, teaching, and production facility based at SPARC. She serves
as a full professor in the UCLA Chicano/a Studies Department and World Arts and Cultures Department. She is currently working on the Cesar Chavez Memorial at San Jose State University; the Robert F. Kennedy monument at the Old Ambassador Hotel site, which will become the RFK Learning Center for K-12; the Martin Luther King Jr. memorial in San Diego; and a digital painted mural for the Richmond Arts Center.
